All I said was "I went to a really nice show last night" and it triggered an almighty sulking and moaning session, "I took you to see Alfie Boe at the Albert Hall and you don't take me anywhere". "But I arranged this with my mates ages ago". On and on it went so, to get a bit of peace, I ended up going to see Carnaby Street twice in one week. Once with my mates and once again with the Boss. Not that I minded because this new musical is really rather good.
It's the World Premiere of Carnaby Street which sounds very grand until you realise that it's opening run was at the Hackney Empire rather than the Albert Hall or the West End. Those of you not familiar with London should note that the West End is the snooty bit and that the East End is the rough bit. Hackney's definitely East End. So am I.
The musical is set in London in the early 1960's, the famous "swinging sixties" and celebrates the West End fashion and music scene; the Marquee Club in Soho, Carnaby Street, the Beatles, Manfred Mann and a host of others. There's virtually no plot so I can't spoil it for you, it's just wall-to-wall powerhouse sixties pop music and packed with great hits "Twist and Shout", "Roll Over Beethoven", "Doo Wah Diddy", "Keep On Running", "You Really Got Me".
Here's the story. Jude comes from Liverpool and arrives in London with his girlfriend, Penny Lane (ouch!) armed with a guitar, some songs and dreams of fame and fortune. He meets Jack Spratt (ouch again!) who manages a band and gets Jude a gig.
The musical is set in London in the early 1960's, the famous "swinging sixties" and celebrates the West End fashion and music scene; the Marquee Club in Soho, Carnaby Street, the Beatles, Manfred Mann and a host of others. There's virtually no plot so I can't spoil it for you, it's just wall-to-wall powerhouse sixties pop music and packed with great hits "Twist and Shout", "Roll Over Beethoven", "Doo Wah Diddy", "Keep On Running", "You Really Got Me".
Here's the story. Jude comes from Liverpool and arrives in London with his girlfriend, Penny Lane (ouch!) armed with a guitar, some songs and dreams of fame and fortune. He meets Jack Spratt (ouch again!) who manages a band and gets Jude a gig.
Then... who cares, just go and see it will you? You won't regret it, there's a bit of a story but mainly it's the fun, the dancing and the music that matter and, as a bonus, you get to do the twist in public for the first time in years. The house was packed when we went and it was great to see all the grey haired grannies twisting in the aisles. Fab!
The writer, Carl Leighton-Pope uses the storyline as corny introductions for the songs and each one is more painful than the last. For example, we have the hero, Jude rushing to catch a flight, queue music, "We Gotta Get Out of This Place" It's so gaspingly bad it's good.
I was a little bit disappointed that there no Rolling Stones numbers in the show; I believe that they wanted to perform "Let's Spend the Night Together" but the rights owners either refused them or demanded an astronomical sum. Shame, if you see the show you will know exactly where that song fits in.
Equally disappointing was the absence of Beatles hits, which for me define the music of the swinging sixties. There were a few covers but nothing from the maestros Lennon and McCartney. Again, probably an issue with rights. Three of the show's characters are Lily, Jude and Penny Lane, I wonder which Beatles hits they would have inspired?
Musically speaking the only jarring note was "Born to be Wild", the 1968 Steppenwolf classic and a bit late for the early sixties but when one of your characters is a dyed-in-the-wool rocker called Wild Thing it's difficult to see what else would do.
The excellent young cast deliver the goods with bags of energy and enthusiasm and appear to be having a whale of a time doing so. I wonder if they had heard of even half of these old hits before rehearsals? It doesn't matter because they've brought them all back to life again.
There's a very welcome appearance of Tom Jones in the second act which was spectacularly popular with the audience.
Finally, the show wraps up with the entire cast on stage performing a knock-out medley of hits which for sheer fun I would rate as being on par with the madness at the end of the stage version of Mamma Mia.
Shout and clap loud enough and they'll come back and do it all over again for an encore. Hooray!
The most exciting TV show was on Friday evening; Ready, Steady, Go! All in glorious black and white but we didn't know any better. It started with some wild, young things revving their Vespa scooters at the traffic lights, that was Ready! Then cut to the riders decked out in trendy gear, that was Steady! And then they shot off at high speed on the Go! The theme music was Manfred Mann's "5-4-3-2-1" and then cut to the party at the television studios and the delicious excitement of the opening line, "The weekend starts here!"
Music, dancing fans dressed a la mode, live performances, miming and all mixed in with roving TV cameras. But best of all was the magnificent Cathy McGowan. She wasn't long out of her teens but she carried the show by stumbling through it and inspired a generation. Dressed in all the latest gear she spoke a strange slang language which we all copied to the despair of our parents; everything was either "in" or "out" or the highest praise of all, "fab".
So inspired by all this nostalgia we declared a sixties week at the office, dug out our "Music to Watch Girls By" CDs volumns 1,2 and 3 and decked out the kitchen as the RSG studio.
What do you think? Groovy, huh? Maybe even a wee bit fab? However, like all our stupid crazes it didn't last long and after a few choruses with Petula Clark and Gerry and the Pacemakers we got bored with it and got back to the present. Black and White telly indeed! Music on vinyl, no iPods, no iPads, no internet. No can do.
Here's the Boss as Keith Fordyce, RSG presenter, sixies pop presenters usually sported the suit and tie ensemble and here's me as Cathy McGowan, the Queen of the Mods. No change there then. I don't think that I have really mastered this Photoshop thing, a rather inept use of layers I'd say. I might need to go on one of those Photoshop courses so that I can learn do this sort of thing properly.
Maybe there's a bit of dodging and burning required to get the skin tones uniform but overall I'd say that I make quite a striking Cathy McGowan, although not one that you'd want to meet on a dark night. The Boss is a little unhappy with his Keith Fordyce look and feels that I should have done a lot better. I don't really see the problem and the stick-on mask effect gives him, in my opinion, a sort of Phantom of the Opera appearance, which I thought he'd like.
I shall close my pean to Ready, Steady, Go with a tragic thought; we did not have video recorders in those days so if you wanted to watch the show you had to be there when it was broadcast on Friday evening. But surely if you had any sort of life then you wouldn't be at home on a Friday night watching telly; you'd be out with your fab, swinging and groovy chums. Wouldn't you?
I was a little bit disappointed that there no Rolling Stones numbers in the show; I believe that they wanted to perform "Let's Spend the Night Together" but the rights owners either refused them or demanded an astronomical sum. Shame, if you see the show you will know exactly where that song fits in.
Equally disappointing was the absence of Beatles hits, which for me define the music of the swinging sixties. There were a few covers but nothing from the maestros Lennon and McCartney. Again, probably an issue with rights. Three of the show's characters are Lily, Jude and Penny Lane, I wonder which Beatles hits they would have inspired?
Musically speaking the only jarring note was "Born to be Wild", the 1968 Steppenwolf classic and a bit late for the early sixties but when one of your characters is a dyed-in-the-wool rocker called Wild Thing it's difficult to see what else would do.
The excellent young cast deliver the goods with bags of energy and enthusiasm and appear to be having a whale of a time doing so. I wonder if they had heard of even half of these old hits before rehearsals? It doesn't matter because they've brought them all back to life again.
There's a very welcome appearance of Tom Jones in the second act which was spectacularly popular with the audience.
Finally, the show wraps up with the entire cast on stage performing a knock-out medley of hits which for sheer fun I would rate as being on par with the madness at the end of the stage version of Mamma Mia.
Shout and clap loud enough and they'll come back and do it all over again for an encore. Hooray!
Coming Your Way?
Carnaby Street is off on tour round the UK at the moment, I would love to see it return to the London stage and, hopefully, for a much longer run. If you enjoy the Blues Brothers, Austin Powers or Mamma Mia then I think you'll love this one.
22-27 April
|
Rhyl Pavilion Theatre
|
29 April - 4 May
|
Hastings White Rock Theatre
|
7-11 May
|
Windsor Royal Theatre
|
14-18 May
|
Tunbridge Wells Assembly Hall Theatre
|
20-25 May
|
Manchester Opera House
|
27 May - 1 June
|
Lowestoft Marina Theatre
|
3-8 June
|
Birmingham Alexandra Theatre
|
10-15 June
|
St Albans Alban Arena
|
25-29 June
|
Bournemouth Pavilion
|
Ready Steady Go
All this talk of the early sixties takes me back, I was only a young lad at school at the time but I do remember there being a vague sense of excitement about the place and, of course, the music.The most exciting TV show was on Friday evening; Ready, Steady, Go! All in glorious black and white but we didn't know any better. It started with some wild, young things revving their Vespa scooters at the traffic lights, that was Ready! Then cut to the riders decked out in trendy gear, that was Steady! And then they shot off at high speed on the Go! The theme music was Manfred Mann's "5-4-3-2-1" and then cut to the party at the television studios and the delicious excitement of the opening line, "The weekend starts here!"
Music, dancing fans dressed a la mode, live performances, miming and all mixed in with roving TV cameras. But best of all was the magnificent Cathy McGowan. She wasn't long out of her teens but she carried the show by stumbling through it and inspired a generation. Dressed in all the latest gear she spoke a strange slang language which we all copied to the despair of our parents; everything was either "in" or "out" or the highest praise of all, "fab".
What do you think? Groovy, huh? Maybe even a wee bit fab? However, like all our stupid crazes it didn't last long and after a few choruses with Petula Clark and Gerry and the Pacemakers we got bored with it and got back to the present. Black and White telly indeed! Music on vinyl, no iPods, no iPads, no internet. No can do.
Here's the Boss as Keith Fordyce, RSG presenter, sixies pop presenters usually sported the suit and tie ensemble and here's me as Cathy McGowan, the Queen of the Mods. No change there then. I don't think that I have really mastered this Photoshop thing, a rather inept use of layers I'd say. I might need to go on one of those Photoshop courses so that I can learn do this sort of thing properly.
Maybe there's a bit of dodging and burning required to get the skin tones uniform but overall I'd say that I make quite a striking Cathy McGowan, although not one that you'd want to meet on a dark night. The Boss is a little unhappy with his Keith Fordyce look and feels that I should have done a lot better. I don't really see the problem and the stick-on mask effect gives him, in my opinion, a sort of Phantom of the Opera appearance, which I thought he'd like.
I shall close my pean to Ready, Steady, Go with a tragic thought; we did not have video recorders in those days so if you wanted to watch the show you had to be there when it was broadcast on Friday evening. But surely if you had any sort of life then you wouldn't be at home on a Friday night watching telly; you'd be out with your fab, swinging and groovy chums. Wouldn't you?
Songs
This is the list of the songs as they are performed on stage and is not quite the same as the published soundtrack for Carnaby Street. Many of the songs are cover versions of older ones and I have tried to identify the ones that we would have heard on Ready Steady Go on a Friday night. No doubt you will tell me where I have made a mistake.
For example, I think most people would agree that "Roll Over Beethoven" has to be Chuck Berry but at the time it was the Beatle's recording that we loved. Both Cilla Black and Dionne Warwick recorded "Anyone Who Had a Heart" but in our hearts it is Cilla's.
The Beatles and the Tremeloes had their version of "Twist and Shout" out at much the same time but, to me, this song is forever the Beatles with that amazing, raucous John Lennon vocal, recorded when he was suffering from a very bad cold. This is the first record that I can remember owning.
There are also a few contemporary songs, written by James Hall for the show.
For example, I think most people would agree that "Roll Over Beethoven" has to be Chuck Berry but at the time it was the Beatle's recording that we loved. Both Cilla Black and Dionne Warwick recorded "Anyone Who Had a Heart" but in our hearts it is Cilla's.
The Beatles and the Tremeloes had their version of "Twist and Shout" out at much the same time but, to me, this song is forever the Beatles with that amazing, raucous John Lennon vocal, recorded when he was suffering from a very bad cold. This is the first record that I can remember owning.
There are also a few contemporary songs, written by James Hall for the show.
Title
|
By
|
I
Wish I Was There
|
James
Hall. Cast
|
Bend
Me Shape Me
|
Amen
Corner
|
How
Do You Do It?
|
Gerry
and the Pacemakers
|
I’m
In With the In Crowd
|
Doby
Gray
|
Mustang
Sally
|
Wilson
Pickett
|
Doo
Wah Diddy
|
Manfred
Mann
|
Roll
Over Beethoven
|
Chuck
Berry or The Beatles
|
Go
Now
|
The
Moody Blues
|
Son
of a Preacher Man
|
Dusty
Springfield
|
Soho
Shuffle
|
James
Hall. Cast
|
In
the Middle of Nowhere
|
Dusty
Springfield
|
5-4-3-2-1
|
Manfred
Mann
|
I
Only Wanna be With You
|
Dusty
Springfield
|
Poison
Ivy
|
The
Dave Clark Five
|
Yeh
Yeh
|
Georgie
Fame and The Blue Flames
|
I
Can’t Control Myself
|
The
Troggs
|
Funny
How Love Can Be
|
The
Ivy League
|
Summertime
Blues
|
Eddie
Cochran
|
Sweets
for My Sweet
|
The
Searchers
|
Don’t
Throw Your Love Away
|
The
Searchers
|
Twist
and Shout
|
The
Beatles
|
Shout
|
Lulu
(and the Luvvers)
|
Money
(That’s What I Want)
|
The
Beatles
|
I
Like It
|
Gerry
and the Pacemakers
|
Born
to be Wild
|
Steppenwolf
|
Don’t
Let the Sun
|
Gerry
and the Pacemakers
|
Keep
On Running
|
The
Spencer Davis Group
|
Anyone
Who Had a Heart
|
Cilla
Black
|
Don’t
Let Me Be Misunderstood
|
The
Animals
|
Transistor
Radio
|
James
Hall. Cast
|
Green
Green Grass of Home
|
Tom
Jones
|
Do
You Love Me
|
Brian
Poole and the Tremeloes
|
I
Just Don’t Know What to do
|
Dusty
Springfield
|
Three
Steps to Heaven
|
Eddie
Cochran
|
Sealed
With a Kiss
|
Brian
Hyland
|
We
Gotta Get Out of This Place
|
The
Animals
|
You’ve
Got Your Troubles
|
The
Fortunes
|
She’s
Out of This World
|
James
Hall. Cast
|
I
Know a Place
|
Petula
Clark
|
Downtown
|
Petula
Clark
|
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